March 26th – April 1st

March 26th: Roger Ebert’s Review of Aquarius Summer’s “One Hour of Mouth Sounds” Aquarius Summer’s “One Hour of Mouth Sounds,” the most compelling ASMR video of 2020, represents nothing less and nothing more than the future of cinema. Despite its lack of believable characters, a discernible plot, a memorable score, or cinematographical competence of theContinue reading “March 26th – April 1st”

March 19 – 25th

March 19th: On Dave Eggers’s A Heartbreaking Work of Staggering Genius The saddest people I know are also, by no accident, the funniest. Laughter and despair are self-perpetuating, cross-fertilizing reactions to grief. Dave Eggers is not alone in his ability to extract humor from loss, even if his loss is starker than most. What makesContinue reading “March 19 – 25th”

March 12th – March 18th

March 12th: On Brand New’s Deja Entendu Two themes swim through Brand New’s sophomore album, Deja Entendu. The first, a nautical motif, is announced by the first line of the album’s first song, “Tautou”: “I’m sinking like a stone in the sea.” Two years after the success of their first album (2001’s Your Favorite Weapon),Continue reading “March 12th – March 18th”

February 5th – 11th

February 5th: On Craft Breweries Cape May Brewery is New Jersey’s best. If not based upon the quality of their shipped product, then that of their in-house experience. A visitor winds their way through a tiny airport, past warehouses and undeveloped absence, convinced they’ve made a wrong turn. Until at last they arrive in aContinue reading “February 5th – 11th”

January 29th – February 4th

January 29th: On Voicemail Samples in Songs “Hey, Danny,” begins the song “You Are the Answer to My Security Question,” by the band Cloud District. “I called to wish you a happy birthday. Happy seventeenth birthday. I hope you have a great day. Um, yeah! Alright. Bye!” In the context of the song, the girlContinue reading “January 29th – February 4th”